Heberto Padilla, Julio Cortázar y Mario Vargas Llosa: tres diferentes traducciones del desencanto
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Abstract
el artículo analiza la proyección de los debates con respecto al papel de los artistas e intelectuales tras el triunfo de la Revolución cubana y el caso Padilla en tres novelas: En mi jardín pastan los héroes, de Heberto Padilla; Libro de Manuel, de Julio Cortázar y La guerra del fin del mundo, de Mario Vargas Llosa. El objetivo es examinar las diferencias entre las visiones artísticas de los autores acerca del desencanto político e intelectual surgido en torno a la Cuba del quinquenio gris a través del diálogo entre la ficción narrativa y el contexto histórico del momento. A partir de dicho análisis, puede concluirse que el desencanto político es una apropiación creativa generadora de reflexiones artísticas e intelectuales abordadas por los autores en las tres obras mencionadas.
Abstract: The article analyzes the projection of debates regarding the role of artists and intellectuals after the triumph of the Cuban Revolution and the Padilla case in three novels: En mi jardín pastan los héroes, by Padilla; El libro de Manuel, by Julio Cortázar and La guerra del fin del mundo, by Mario Vargas Llosa. The objective is to examine the differences between the authors artistic visions of the political and intellectual disenchantment that arose around Cuba in the gray quinquennium through the dialogue between narrative fiction and the historical context
of the moment. From this analysis, it can be concluded that political disenchantment is a creative appropriation generating artistic and intellectual reflections addressed by the authors in the three works mentioned.
Keywords: Disenchantment; Cuban Revolution; Padilla Case.
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